![Projectors II [1.4] This project takes on the question of “image tectonics.” Image tectonics not as an exploration of the architecture (or the tectonic) of the image (only) but rather an exploration of how the image becomes the architectural ima](https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1482195814220-WO577JTKQKRDMFGU9U4R/Screen+Shot+2016-12-19+at+4.20.32+PM_sm.png)










![Projectors II [1.4] This project takes on the question of “image tectonics.” Image tectonics not as an exploration of the architecture (or the tectonic) of the image (only) but rather an exploration of how the image becomes the architectural ima](https://images.squarespace-cdn.com/content/v1/579fef6903596ed4bfa1eb90/1482195814220-WO577JTKQKRDMFGU9U4R/Screen+Shot+2016-12-19+at+4.20.32+PM_sm.png)
Projectors II
[1.4]
This project takes on the question of “image tectonics.” Image tectonics not as an exploration of the architecture (or the tectonic) of the image (only) but rather an exploration of how the image becomes the architectural image; the capacity of the fleeting, always distorted image to produce tectonics.
In order to pursue such an approach, image-based strategies of disruption must be viewed as essential elements of the architectural process, rather than “imprecisions”, errors waiting to be technically eliminated. These strategies include specific types of image projection: ray tracing, parsing, sorting, scanning and other forms of algorithmic pixel manipulation.